Native Botanical Fine Art Series

Last month Gillian and I went foraging for perfect specimens of last year’s native vegetation. We wandered around a nearby park with a cardboard box collecting dried plants from last year’s growth. I’ve always been fascinated with the forms and shapes plants take but people usually disregard them once they’ve died, even though they naturally preserve themselves on the stalk. I wondered what would happen if I took the color out of them and presented them on a clean background. This would force the viewer to respect the beauty of the shapes for what they are. If you couldn’t tell it was dead, would you still look past it? So, we took a day to try out whether or not the results would be worthy of sharing and we think they are. Let us know what you think and which ones are your favorites!

These images would look amazing when presented on a large format print with a white frame. UPDATE: They’re now added to my Etsy store for purchase. Local customers can always buy prints directly and get your signed copy hand delivered!

Behind the scenes in our studio during our Native Botanical series shoot.

Still life & fine woodworking

In addition to photography and filmmaking one of my other passions is woodworking. I utilize my studio space as both a workshop and a studio. When I’m done making new projects we clean up, set up the still life photography equipment and make some nice photos of the finished pieces!

Gillian gets free reign to make whatever she wanted here and I just light, compose and hit the button.

The boxes are made out of zebra wood with maple inserts and glue. I try not to use any nails or screws in my pieces if it can be helped. The lighting is all natural light with just a couple foam core books and a diffusion scrim to block or reflect light from the desired direction. Very simple, but very engaging results. I love how the wood pops off the dark cork background.

Moody studio still life

Gillian and I have been creating some new portfolio work lately and we’re really pleased with this one in particular. I’ve really been feeling the low light, low key look lately and think I may just do everything this way from now on. I think it’s who I am. I tend to change my mind on this kind of stuff every other week, so we’ll see.

Captured with Fujifilm GFX50r with the 50-100mm f4 and 2 Westcott FJ strobes.